All posts filed under: Documentary

That picture. Is it real? You decide.

This is my opinion. Let me start by saying… I am no supporter of the Royals in general and Andrew in particular. I am not attempting to prove his innocence or otherwise in relation to the charges made against him in relation to his association with a convicted sex offender – if that’s what they are. I am not an expert on the practice of photo manipulation. I’ve done a lot. I’ve also driven many miles in over 50 years of driving but that does not mean I’m an expert driver either. What it does mean is I have a lot of experience of both. What I am looking at and discussing here is whether or not I believe the picture in question. Let me explain the issues I believe, for me at least, make the image questionable. A. Generally The tonal range of each individual does not  look right, one against the other The lady on the right looks right in relation to the room the image was taken in. The other two look …

You have to be there very early.

The Taj Mahal is one of the most beautiful buildings in the world, except perhaps, when it has swarms of tourists all over it. Sue and I were there at the end of 2007. We arrived in the extreme cold and dark of an early morning. Abhishek had got us out of our beds saying “you have to be early”. As the sun came up the Taj appeared from the obscuring still mist, The rays of the sun glinted off pieces of pieces of semi precious stones inlaid into the dome. It was a truly wonderful experience. Shortly afterwards masses of tourist appeared, all vying to sit on the “Lady Diana” bench to get a selfie with the glorious Taj behind them. The moment was lost. Yes these images are touristy, but that’s what we were, simply tourists. Just two amongst the throng. And would I have missed it? Not a chance. Exquisite and wonderful. PDBarton Lincoln 2019  

A note to the artist.

I visited an exhibition of photography in Hull yesterday – 5th October 2019. Amongst the work there was a large display devoted to the work of Tristan Poyser. In this intriguing piece Tristan explores the concept of the Geographical / Political border between Northern and Southern Ireland. The line has been a contentious issue for many years and with the Brexit issue (where Southern Ireland will stay in the EU and Northern Ireland – being part of Great Britain – will potentially leave the EU ) inflaming debate once more. Tristan travelled the line over a period of a couple of years photographing as he went. Unlike County and National lines in, say North America, the lines are not straight, twisting and winding as they do. Tristan handed out images he had taken and asked people to rip the images along where they thought the border may be. The effect was to produce a large number of public interpretations of the border, many annotated with what they thought about the connected issues. The main part …

Perishing shrines

Work by Lisa Ross. Lisa Ross is a New York based artist. Her work in this exhibition shows images of holy sites of its indigenous Muslim Uyghur population in the Taklamakan Desert in Xinjiang, western China. The exhibition is beautiful. Any pictures of the show, even those on the gallery website, and my small attempt by way of illustration of the elegant basement of the Argentea Gallery above, fail to portray the glorious reality of the prints. They exude a quality of light which is mesmerising. As a photographer I stood in front of the images admiring the sheer technical expertise of the photographer and of the printer. If that is all you go to see this show for then so be it. You will not be disapointed. However, these are not chocolate box or even travel images. There is another aspect to the images. They document part of a way of life of the Muslim population of this part of China which is under threat, indeed these shrines no longer exist and access to …

Add perspective into your life.

In her own words. One woman’s life, and what a lesson it is for us all. “I am not sure of my exact year of birth but I think I should be around 66 or 67 years old.  I was born around here, near Dharamsala,  and lost my mother as a child, I was raised by my stepmother. Later I was married at the age of 15. I lost my husband at the age of 24, to some unknown sickness due to stomach pain.  I moved back to Dharamsala from my inlaws place after the death of my husband as I faced a lot of problems and was not wanted there. I sold off whatever little farmland I had and I bought a small piece of land and built a mud hut in Gamru village (quite close to Mona, the doll makers studio) as till I was 24 I could work on the farm but after my husbands death it became difficult to farm, tend to cattle and take care of the girls as I had …

Differing opinions.

For me, a satisfying image has shapes and layers. I was at the SteamPunk festival in Lincoln on Saturday. This image was from the lower half of the city (where there were fewer SteamPunk attendees). I was drawn by the incongruous hat of the SteamPunker – a white military helmet surmounted and enclosed by an Octopus. I use that as the front layer and slightly out of focus, with shoppers passing in the next layer.  The layer which first attracted me contains the Irish Dance Busker making eye contact with the delighted little girl.  Finally, in the last layer of interest is the shop attendant peering out of the window. I find this image satisfying even though it’s far from perfect containing as it does elements others may believe detract from the image. As you maybe aware, my images are just for me so you may not agree. That’s OK. That’s what makes this art form so interesting – alternative views of the same thing and differing opinions.