In traditional Japanese aesthetics, wabi-sabi is a world view centred on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of beauty that is “imperfect, impermanent, and incomplete. Wikipedia. I’m not sure this image shows that principle exactly, but somehow, the imperfection of dilapidation and the consequent transience has a beauty of its own, albeit the process has perhaps gone just too far. Nevertheless, this image of an old French Colonial townhouse in Pondicherry, Southeast India, for me anyway, has a faded grandeur and a presence all of its own. Peter Barton July 2019
I don’t know about you, but I thought the Barbican in London was simply an arts centre – “simply an Arts centre” there’s an understatement for a start. Just how wrong can you be? My wife, Sue, knowing I like Brutalist architecture bought me a ticket for a guided architectural tour of the ‘complex’ and complex it is. Not only is it an arts centre – by the way, this section of the development was finalised and built last – but it is a housing project comprising around 2000 flats. First, throw away all preconceptions of what a ‘housing project’ of this size would look like. The project was conceived in the late ’50s by architects, Chamberlin, Powell and Bon. They planned and delivered a high quality, wonderfully detailed living space, and due to the management of the terms of the letting or sale of the units, it has remained so ever since. Strict conditions apply regarding what the occupants can and cannot do – but I’m getting in front of myself. If I may backtrack; The area …
Baltic centre. Newcastle. March 2019.
I was in my home city of Birmingham for a couple of days mainly to see the Da Vinci exhibition at Birmingham Museum and Art Gallery – more on that to come. Whilst there I shot some images in the glorious unseasonal sunshine. Freakish February weather.
Lincoln was bathed in a strange light yesterday morning turning everything model-like and curiously sharp. Surreal.
Lincoln, August 2018.
The order of things in Britain has changed over the last few years. It has changed at a pace unlike any I’ve seen in my life. Or, does it just seem to be changing faster because I’m getting older? I can’t tell. I can only view the pace of change from my own perspective, distorted or otherwise. Many of our institutions we once thought rock solid have gone or changed so they’re no longer recognisable. It’s inevitable, I suppose. Change has altered much of the fabric of our society, none more so than the media. The BBC, long regarded as the bastion of independence and autonomy seems to have buckled with its new apparent right leaning bias. The Newspaper industry, always powerful, now seems to have gained a renewed influence as its many independent elements have coalesced around certain powerful individuals. It wasn’t always like that. Britain has a fine record of independent newspapers dotted around the country. The Stamford Mercury, for example, Britain’s oldest continuously published newspaper title having been running since the early …