Wall of Death rider and audience, Lincolnshire Show Ground, August 2009.
Lincoln castle sits high on Lincoln Edge, overlooking the city. Within the space created by the Norman curtain wall defences of the castle there is an early Victorian Prison, now disused, and a building housing Law Courts. The law courts are still in use. It’s not at all unusual to see prison vans delivering those who are about to be put on trial lined up, within the walls, at the back of the law courts. It was a sunny day towards the end of September 2019. I was walking the circuit along the top of the castle wall. Looking down into the castle I saw a couple of Barristers discussing a case, probably with their instructing solicitor. PDBarton Lincoln 2019
For me, a satisfying image has shapes and layers. I was at the SteamPunk festival in Lincoln on Saturday. This image was from the lower half of the city (where there were fewer SteamPunk attendees). I was drawn by the incongruous hat of the SteamPunker – a white military helmet surmounted and enclosed by an Octopus. I use that as the front layer and slightly out of focus, with shoppers passing in the next layer. The layer which first attracted me contains the Irish Dance Busker making eye contact with the delighted little girl. Finally, in the last layer of interest is the shop attendant peering out of the window. I find this image satisfying even though it’s far from perfect containing as it does elements others may believe detract from the image. As you maybe aware, my images are just for me so you may not agree. That’s OK. That’s what makes this art form so interesting – alternative views of the same thing and differing opinions.
I visited an exhibition of striking work by photographer Katie Hallam in the delightful, bijou Gallery at St Martin’s, in Lincoln yesterday. Katie is a degree qualified photographer. In her current work, she takes the structure of her initial pictures and re-works them to produce surprising and questioning images, turning them into strident artworks, full of energy and colour. The concept explores glitches – errors if you will; hence the title of the show – momentary aberrations of the norm, be those glitches natural or induced, in order to create ‘another worldliness’ in exploring and dividing what is captured from what is seen. The technique explores the manipulation of those glitches using alteration to the code producing those jpg digital files. The work dispels any doubt, if the is any, that photography is art*. The work is exciting and is well worth seeing. Sadly it closes on the 13th July 2019 but you can see her work on her web site here. https://www.thebeautifulerror.com The image above is part of one of Katie’s images, who, of course, …
Shop window sign in the sun. Lincoln 2019.
The last gasp of winter. Mid-March 2019. South Hykeham low fields.
South Hykeham, Lincolnshire. April 2019
The project continues. Lincoln 2019
Another picture from the protest march last Saturday.