All posts filed under: photography

You have to be there very early.

The Taj Mahal is one of the most beautiful buildings in the world, except perhaps, when it has swarms of tourists all over it. Sue and I were there at the end of 2007. We arrived in the extreme cold and dark of an early morning. Abhishek had got us out of our beds saying “you have to be early”. As the sun came up the Taj appeared from the obscuring still mist, The rays of the sun glinted off pieces of pieces of semi precious stones inlaid into the dome. It was a truly wonderful experience. Shortly afterwards masses of tourist appeared, all vying to sit on the “Lady Diana” bench to get a selfie with the glorious Taj behind them. The moment was lost. Yes these images are touristy, but that’s what we were, simply tourists. Just two amongst the throng. And would I have missed it? Not a chance. Exquisite and wonderful. PDBarton Lincoln 2019  

All change, yet again.

I was in Birmingham last week, the city of my birth. And just to remove any confusion, I’m talking of Birmingham in the West Midlands of England. Every time I visit there has been change. The city seems incapable of standing still for just one minute. Perhaps that’s how it should be, afterall, Birmingham is known as the driver behind the industrial revolution of the 18th and 19thC. and was for many years, the home of manufacturing in the UK earning it the aphorism of “The City of a Thousand Trades”. It’s not an old city. Its growth, fed by the industrial revolution, came as a result of hundreds of thousands of ‘immigrants’ from the farming communities in surrounding counties. My own forebears on both sides were “Aglabs”, agricultural labourers, from Staffordshire, Warwickshire, Gloucestershire, together with true ‘immigrants’ from Ireland. Birmingham is a crucible, and always has been. With that growth comes continual change. As a reason for change, added to that of growth, is development – in the shape of technology, working methods etc. …

A note to the artist.

I visited an exhibition of photography in Hull yesterday – 5th October 2019. Amongst the work there was a large display devoted to the work of Tristan Poyser. In this intriguing piece Tristan explores the concept of the Geographical / Political border between Northern and Southern Ireland. The line has been a contentious issue for many years and with the Brexit issue (where Southern Ireland will stay in the EU and Northern Ireland – being part of Great Britain – will potentially leave the EU ) inflaming debate once more. Tristan travelled the line over a period of a couple of years photographing as he went. Unlike County and National lines in, say North America, the lines are not straight, twisting and winding as they do. Tristan handed out images he had taken and asked people to rip the images along where they thought the border may be. The effect was to produce a large number of public interpretations of the border, many annotated with what they thought about the connected issues. The main part …

Perishing shrines

Work by Lisa Ross. Lisa Ross is a New York based artist. Her work in this exhibition shows images of holy sites of its indigenous Muslim Uyghur population in the Taklamakan Desert in Xinjiang, western China. The exhibition is beautiful. Any pictures of the show, even those on the gallery website, and my small attempt by way of illustration of the elegant basement of the Argentea Gallery above, fail to portray the glorious reality of the prints. They exude a quality of light which is mesmerising. As a photographer I stood in front of the images admiring the sheer technical expertise of the photographer and of the printer. If that is all you go to see this show for then so be it. You will not be disapointed. However, these are not chocolate box or even travel images. There is another aspect to the images. They document part of a way of life of the Muslim population of this part of China which is under threat, indeed these shrines no longer exist and access to …

Add perspective into your life.

In her own words. One woman’s life, and what a lesson it is for us all. “I am not sure of my exact year of birth but I think I should be around 66 or 67 years old.  I was born around here, near Dharamsala,  and lost my mother as a child, I was raised by my stepmother. Later I was married at the age of 15. I lost my husband at the age of 24, to some unknown sickness due to stomach pain.  I moved back to Dharamsala from my inlaws place after the death of my husband as I faced a lot of problems and was not wanted there. I sold off whatever little farmland I had and I bought a small piece of land and built a mud hut in Gamru village (quite close to Mona, the doll makers studio) as till I was 24 I could work on the farm but after my husbands death it became difficult to farm, tend to cattle and take care of the girls as I had …

Just a little of Birmingham’s brutalist architecture.

Three Brutalist building in Birmingham. Two of which have gone. The first is the now-demolished Birmingham Central Reference Library designed by John Madin and constructed in 1974. It lasted 41 years before its recent destruction. The second is the signal box at New St Station (comprising 2 images), designed by Bicknell & Hamilton and W.R. Healey and completed in 1965. This is listed and so remains. The third is 103 Colmore Row, the Nat West Tower, as it was known. Designed by John Madin. It opened in 1975.  It was demolished in 2015-16 and is to be replaced by another, taller tower.