This is my 3rd picture by way of a contribution to the “One a day for a year” project initiated by David Barrett, a British photographer living in Gloucestershire. David says the project, which he calls “Trip around the sun” was inspired by Barry @pixelsonapage and ‘The Once More Around The Sun’ project shot by Joel Meyerowitz. “It’s not intended to produce a masterpiece everyday” he says. Adding, “It’s more a survey of your everyday”. This is my image No3. It’s a wooden mask I have at home. The developing results of the project reside over on Twitter under the hashtag: #365aroundthesun PDBarton Lincoln 03.01.2020
Jehovahs witnesses stand beneath the arches of the 16thC “Stonebow” in the High St at the bottom of what was once the Roman Lincoln Colonia. The “Stonebow” we see today replaced the original Roman Southern Gate to the city. It was completed in 1520 and has survived two seperate decisions to demolish it. PDBarton 30.12.2019
In her own words. One woman’s life, and what a lesson it is for us all. “I am not sure of my exact year of birth but I think I should be around 66 or 67 years old. I was born around here, near Dharamsala, and lost my mother as a child, I was raised by my stepmother. Later I was married at the age of 15. I lost my husband at the age of 24, to some unknown sickness due to stomach pain. I moved back to Dharamsala from my inlaws place after the death of my husband as I faced a lot of problems and was not wanted there. I sold off whatever little farmland I had and I bought a small piece of land and built a mud hut in Gamru village (quite close to Mona, the doll makers studio) as till I was 24 I could work on the farm but after my husbands death it became difficult to farm, tend to cattle and take care of the girls as I had …
In traditional Japanese aesthetics, wabi-sabi is a world view centred on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of beauty that is “imperfect, impermanent, and incomplete. Wikipedia. I’m not sure this image shows that principle exactly, but somehow, the imperfection of dilapidation and the consequent transience has a beauty of its own, albeit the process has perhaps gone just too far. Nevertheless, this image of an old French Colonial townhouse in Pondicherry, Southeast India, for me anyway, has a faded grandeur and a presence all of its own. Peter Barton July 2019
I don’t know about you, but I thought the Barbican in London was simply an arts centre – “simply an Arts centre” there’s an understatement for a start. Just how wrong can you be? My wife, Sue, knowing I like Brutalist architecture bought me a ticket for a guided architectural tour of the ‘complex’ and complex it is. Not only is it an arts centre – by the way, this section of the development was finalised and built last – but it is a housing project comprising around 2000 flats. First, throw away all preconceptions of what a ‘housing project’ of this size would look like. The project was conceived in the late ’50s by architects, Chamberlin, Powell and Bon. They planned and delivered a high quality, wonderfully detailed living space, and due to the management of the terms of the letting or sale of the units, it has remained so ever since. Strict conditions apply regarding what the occupants can and cannot do – but I’m getting in front of myself. If I may backtrack; The area …
Bus. Lincoln. 09-03-2019
Darkly through a window spied Spectres from the other side
I was in my home city of Birmingham for a couple of days mainly to see the Da Vinci exhibition at Birmingham Museum and Art Gallery – more on that to come. Whilst there I shot some images in the glorious unseasonal sunshine. Freakish February weather.
The Hykeham bus from Lincoln. Feb 2019
We decided to go away and do nothing. That’s unusual for us. A week away just doing nothing. I took just a few photographs trying to keep my promise to do nothing. Images from the Isle of Lesvos in Greece.